By Phil
Wood
Now Thomas (also known as Didymus), one of the
Twelve, was not with the disciples when Jesus came. So the other disciples told
him, "We have seen the Lord!"
But he said to them, "Unless I see the nail
marks in his hands and put my finger where the nails were, and put my hand into
his side, I will not believe."
A week later his disciples were in the house
again, and Thomas was with them. Though the doors were locked, Jesus came and
stood among them and said, "Peace be with you!" Then he said to
Thomas, "Put your finger here; see my hands. Reach out your hand and put
it into my side. Stop doubting and believe."
Thomas said to him, "My Lord and my
God!"
Then Jesus told him, "Because you have seen
me, you have believed; blessed are those who have not seen and yet have
believed."
John
20:24-29
As we live into
Eastertide, and track with what happened after Jesus rose from the grave, we
see that this is the time, about a week after Jesus first came to the disciples,
when Thomas came to grips with the amazing, unbelievable thing that had
happened – and the stunning realization of who it was he had been following the
past three years.
I would like to
challenge you this morning to spend some time contemplating the painting below
by Caravaggio, a 16th century Italian painter. Seriously, find a quiet place to
sit, where you will not be distracted, and simply gaze at this painting for
several minutes.
Let your eyes wander
over the scene as a whole, just taking in the situation. What exactly is
happening, who is doing what?
Let your eyes come to
rest on the face of Jesus. What do you see there?
Bring your eyes to rest
on the face of Thomas and imagine yourself in his place at the time when this
was really happening. What are you feeling as Jesus takes your hand and guides
it toward the hole in his side? What is your reaction at that moment when the
truth rushes in?
"My Lord and my God!"
Dwell in that moment,
let that truth wash over you, and let the Holy Spirit guide your thoughts...
Caravaggio was a master
of chiaroscuro, the use of light and shadow to achieve a sense of volume in
modeling three-dimensional figures in a two-dimensional work. In this work
entitled, "The Incredulity of Saint Thomas," the artist uses a dark
background to make these figures, modeled by light and shadow, stand out.
But that dark background
has another purpose. It abstracts the scene from its setting, freeing it from a
specific time or place to show that this encounter of faith is not tied to a
historic moment but to an eternal truth – one that affects us all even 2000
years after the fact.
Br Andres Colmenares,
LC, in a Legionary Brothers blog, points out, "We have all gone through
one stage of our life or another when living our Christian faith was more
difficult than normal. Something happens that makes us put into question the
very beliefs that were inscribed in our hearts. But Christ's constant yearning
is for us to 'Believe and doubt no longer.'"
Perhaps you're going
through a time like that right now. But let not your heart be troubled. As Br
Andres suggests, you can go to Jesus now, let him take your hand and direct it
toward his wound, so that all doubts might be dispelled and you can say from
your heart, "My Lord and my God."
"Art can warm even a
chilled and sunless soul to an exalted spiritual experience. Through art we
occasionally receive – indistinctly, briefly – revelations the likes of which
cannot be achieved by rational thought.
"It is like the small
mirror of legend: you look into it but instead of yourself you glimpse for a
moment the Inaccessible, a realm forever beyond reach. And your soul begins to
ache..."
Alexander Solzhenitsyn
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